It's a strange feeling to compare the "Napalm Girl" and Paris Hilton photo, I know I will never take another photograph that's as good as Kim’s photo. The big difference I grew to love Kim, whereas… frankly, I don't give a damn about Paris Hilton.
The walking trail through the historic Jewish urban area of Mattancherry. It deals with the vanished and forgotten cultural heritage of the Malabar Jewish community from the personal viewpoint of the artists Meydad Eliyahu and Thoufeek Zakriya.
Biju Ibrahim captures the essence of rustic geographies, the people who are now becoming archive of the earth, the mythic and mystery of spaces and places, broken vessels and torn fabric, alleys of now filled with the density of then or before.
Pappadam has a special place in the cuisine of Kerala. It is an essential part of the world-famous Kerala sadya, a crunchy accompaniment to many of Malayali’s favourite dishes that immediately wins the heart of anyone tasting Kerala food.
The story of a passionate miller who runs a 67-year-old mill in the Gujarati quarter of Mattancherry and continues to follow the old ways of the food trade he learned from his father.
Thoughts inspired by Atheena Wilson's booty shaking anti-bachelorette tea party with wine. The journey of womankind from being ripe for the marriage market to become the Goddess. All in Frida Kahlo style with blessings of Her Highness Princess Gouri Parvathi Bayi.
Celebrating the Jewish Fall Festivals - Rosh Hashanah, Yom Kippur, Sukkoth and Simchat Torah - with Cochin Jews, a small community trying hard to keep alive the most sacred and revelous days of Jewish life in Kochi.
Old white functionalist building houses one of the oldest restaurants in Mattancherry, which serves authentic pure vegetarian South Indian food since 1946. Restaurant is run by the third generation of Udupi Brahmins.
KMB 2018 seeks to invoke the cosmopolitan spirit of the modern metropolis of Kochi and its mythical past, Muziris, create a platform that introduce contemporary international visual art theory and practice to India.
My impressions of Mattancherry was informed by the widely available images and representations. But while shooting for “Mattancherry Series” all my perceptions shattered. I felt that every space is created to encourage cohabitation and togetherness.
Deshappalama: Anju Mozhippadangal. These speech-portraits are first attempts at confronting the single-person nations of Mattancherry and rendering them in poetry. Like myths, Mattancherry is a place that is woven from antiquity and multiplicity.
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