Ivana Baldo was always attracted to flying and travelling. As a stewardess of Czech Airlines she visited Mumbai for the first time in 1991 and immediately fell in love with India. Her new lifestyle became ayurveda and yoga.
Biju Ibrahim captures the essence of rustic geographies, the people who are now becoming archive of the earth, the mythic and mystery of spaces and places, broken vessels and torn fabric, alleys of now filled with the density of then or before.
This is not a wonderland with fairies and elves. But here, one can find lots of singing birds, dancing squirrels and sweet smelling flowers. The place becomes truly magical because it exists in the heart of a city. Our wonderland is called Alungal Farms.
KMB 2018 seeks to invoke the cosmopolitan spirit of the modern metropolis of Kochi and its mythical past, Muziris, create a platform that introduce contemporary international visual art theory and practice to India.
Deshappalama: Anju Mozhippadangal. These speech-portraits are first attempts at confronting the single-person nations of Mattancherry and rendering them in poetry. Like myths, Mattancherry is a place that is woven from antiquity and multiplicity.
Tracing the culinary history of Breudher, a sweet bread which is a part of the Anglo-Indian cuisine of Kochi and also made by the Eurasian communities in Sri Lanka and South East Asia.
Narendranath is the guardian of a dying heritage. At his tiny shop in Fort Cochin, shrunken in the course of time, he reigns as the devoted practitioner of an age-old system of medicine, a rich and valuable legacy left with him by his forefathers.
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